Rock On Magazine
Home
Articles
Publications
Covers
Social
Contact Us
Rock On Magazine
Home
Articles
Publications
Covers
Social
Contact Us
More
  • Home
  • Articles
  • Publications
  • Covers
  • Social
  • Contact Us
  • Home
  • Articles
  • Publications
  • Covers
  • Social
  • Contact Us

Interview with Michael Bluestein

Rock On Magazine - Foreigner 1

Foreigner at Forty Five

By Jay Luster

Rock On Magazine - Foreigner 2

When I first got into it, I was inspired by people who had come before me, and I found myself in the position of handing that on. 

-Mick Jones


In March of 1977, just a few months ahead of their first album release, Foreigner dropped the single "Feels Like The First Time." A few weeks later, the song reached #4 on the charts. Critics like pigeon holes, and they just weren't sure which one the song fit into. With its hard-rocking guitar, whirling synthesizer, and Lou Gramm's powerful voice, Feels like the First Time was, quite simply, kick ass rock and roll and no matter what the critics thought, the kids loved it. When the album hit the store racks, it sold five million copies in the United States alone. The singles "Cold As Ice," and "Long Long Way From Home," joined Feels Like The First Time as concert powerhouses, and over the next decades, the band would release albums and singles, which would make them legendary.


Along the way, there was drug use, infighting, near fatal illnesses, and personnel changes. Eventually, this left Mick Jones as the only original member in the band. Jones started Foreigner after the break-up of Spooky Tooth. He had found the right musicians, but had a hard time finding the right vocalist to bring his musical vision to life.

After an extensive and time consuming search, he was introduced to Lou Gramm. Gramm had been working in the Rochester, New York area and was glad to come to New York to work with Jones. After all, it's not everyday you get an invite from one of the greatest guitar players of his generation. Once the band was assembled there were four Americans, and two Britons, and with that lineup, no matter where they were they'd always be foreigners. Puns aside, the name Foreigner became synonymous with great records, and great concerts.


We had a chance to catch up with Michael Bluestein, the keyboard player with the band. Bluestein joined Foreigner in 2008, and has been with them ever since. In the late 1980's he studied music at the prestigious Berklee College Of Music in Boston, and then moved to the San Francisco Bay area. His touring history reads like a copy of Who's Who of the music industry. Over the years, he's played with Boz Scaggs, Roger Hodgson, and Stevie Nicks. When he received the invite to try out for Foreigner, he was touring with the Latin king of pop, Enrique Iglesias, but ready for a new challenge.

Rock On Magazine - Foreigner 3

Jay Luster, Rock On Magazine:  

Hi, thanks for agreeing to speak with me. Foreigner is touring again?


Michael Bluestein:

Yeah, we're heading out for about six weeks or so.


ROM:

How did you come to join Foreigner?  


Michael Bluestein:

In 2008 I was at a music convention called NAMM, at an arena in Anaheim. I ran into the keyboard player for Foreigner, a guy named Paul Mirkovich. He was playing keyboards with them as a sort of temporary solution. He told the guys, he'd help out for a bit, and said, "when I leave I'll help you find a replacement." When we ran into each other, a light bulb sort of went off for him, and he said, this guy might be the right replacement. So we got to talking, I was with Enrique Iglesias at the time, but I was open to a change. When this came up, I got to audition for the guys, and that's how it all got started. That was 14 years ago.


ROM:

Did you have to sing as part of the audition? 


Michael Bluestein:  

Yes, background vocals were a big part of it. Foreigner has some pretty heavy background vocals with a lot of harmony, so yeah, that was definitely a part of it.


ROM:

I know you're an amazing keyboard player, but do you enjoy singing?


Michael Bluestein:

Yeah, most musicians, at some point, discover they can sing to some extent. Even if they didn't start as singers, it becomes part of what we do.

Rock On Magazine - Foreigner 5

ROM:

How did you weather Covid?


Michael Bluestein:

It was actually a good creative time for me. I did a lot of writing and producing here in the studio. The beauty of technology these days, there's just so many tools available for us. Even for most of us who weren't trained as audio engineers. The technology has gotten to the point where most musicians have a rig, and they record and produce on their own. I got to do a lot of that here in the home studio. My girlfriend and I have a duo called Tina Blue, and we wrote some new tunes, and I did some producing and arranging for us. We recorded a lot, and got into the streaming thing. We figured out the multi-angle camera situation for doing live concerts out of the studio, and getting the audio and video together. That was sort of a fun project that kept us busy.


ROM:

It sounds like you kind of thrived during the isolation period?


Michael Bluestein:

Yeah, for a while it was kind of nice, the isolation part of it. A lot of apprehension about the virus was obviously there. People were freaked out, and for a year or so they didn't know what was going on. They didn't know how transmissible it was or how sick you were going to get? I think there's a lot more perspective about it now. It's becoming more endemic instead of pandemic. It's become something we just have to live with. I've had it. Everyone in the band has had it at this point. The blessing was having all that time to do some creative work. Being in the lab, so to speak, working on new music, geeking out in the studio, so that part of it was fun.

Rock On Magazine - Foreigner 6

ROM:

What was getting back on stage like?


Michael Bluestein:

Pretty amazing. People were just so psyched. We have a lot of fans who are repeat customers. Some have been to tens of shows, even hundreds in some cases. Everybody was dying to get back out and see live music again after being isolated for so long. You could really feel the excitement for everybody, and for us getting back to what we do.


ROM:

Is there a possibility of new Foreigner music on the horizon?


Michael Bluestein:

It's been a little bit since Foreigner had a new album. There are some new things floating around, and some songs in various degrees of completion that will hopefully be getting out there in the next year or two.


ROM:

Foreigner has so much great music, how do you choose what to play?


Michael Bluestein:

We have quite a list of hits we have to deliver for the fans. We're in the enviable position of having more hit songs than we can do in a set. As far as what people want to hear, those hits come first, but it's hard to get to everything.

Rock On Magazine - Foreigner 7

ROM:

Considering how long Foreigner has been around, you've somehow still remained one of those must see live acts. How, after 45 years, has the band managed to remain so relevant?


Michael Bluestein:

It's pretty incredible. Songs like Feels Like The First Time, which came out in '77, were built to last. The musical arrangements, and those amazing vocal arrangements, and of course Lou Gramm. They're hit songs that became part of the culture. They've been featured in many movies, and TV shows, and people grew up with them and then raised their kids on Foreigner and classic rock. It's pretty cool to see the kids, the teenagers, the twenty something's, the thirty something's coming to the shows and knowing all the tunes too. Not many bands have the type of music that can stand the test of time the way Foreigner has.

ROM:

It must be amazing to look out in the crowd and see several generations of the same family all enjoying the show together?


Michael Bluestein:

The music being passed down through the generations is the gift that keeps on giving. I do love the fact that it's not just the original audience. That part of it keeps it fresh. Knowing that youthful energy is being passed on, that's invigorating. When you see the youth there and people getting into it who weren't even born when the songs were on the radio. That part of it gives you an injection of adrenaline, and excitement.


ROM:

Does the audience want you to play the songs exactly like the record, or do they like to see a little improvisation?


Michael Bluestein:

We have to pay tribute to, and honor the original parts. For example, we're not going to play "Waiting For A Girl Like You" without me playing the theme synth lead that comes in at the beginning of the song. You're not going to play "Juke Box Hero" without that iconic low bass synth intro you hear when it first starts. You're not going to do Hot Blooded without that opening guitar part. So I think the answer is we have to honor the original parts, and we do. They were there for a reason, and those are the parts the people remember.

But yeah, within that framework there's room for some improv, and some dancing around in between the spaces. I'd say we're at 85% to 15% new as far as tweaking things a bit.


ROM:

That must help keep it interesting for the band?


Michael Bluestein:

Yes, definitely. I think over the years we've all found little spots where we can sprinkle in some of our own flavor into the tunes. There Are spaces within the arrangements, and some songs that are extended, where there are solos where there weren't any before. The drummer and I have solo spots in the middle of the show, so we can showcase some stuff there too.


ROM:

It sounds like the audience is pretty open minded?


Michael Bluestein:

If what you're playing, the kind of spontaneous things that might happen, if that's coming from the same vibe, and spirit of the song, and adds something without getting in the way then yeah. Also, there are some spirited outtakes from the original performances that didn't make it onto the final track. There were takes that were cut for the sake of the radio, or for the sake of being concise that didn't make it onto the final recording.

When you're live and you're extending things, or the chorus goes around another time, or there's a solo space, that may be the time where you can tap into some of those tasty little bits that didn't make the record.


ROM:

Wow, this has been great. Thanks for speaking with me, it's been a lot of fun. Have fun on tour, and we'll see you in Reno.


Michael Bluestein:

Yeah, Thank you too, See you there. With 13 top ten hits between 1977, and 1991, including two #1's, it's little wonder people are still excited when they hear Foreigner is coming to town. With players like Michael Bluestein, singer Kelly Hansen, and the incomparable Mick Jones, the tickets are sure to sell out so get them early. Their show is Saturday, September 24 at 8:00pm at the Grand Sierra Theatre - Grand Sierra Resort, Reno, NV and Rock On Magazine will be there. 



Foreigner will be out on tour all summer, be sure to catch them opening for Kid Rock on 14 dates.


www.foreigneronline.com

Foreigner in Rock On Magazine

Rock On Magazine- Foreigner 8
Rock On Magazine - Foreigner 9
Rock On Magazine - Foreigner 10

Copyright © 2021 Rock On Magazine - All Rights Reserved. Built by RKW Designs